Ochs runs forward, scratches his arm on the point of Octavian's drawn sword, and screams so that Faninal and the rest of the household come rushing in. Pronunciation of Der Rosenkavalier with 1 audio pronunciation, 1 meaning, 2 translations and more for Der Rosenkavalier. The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich There are many recordings of the opera and it is regularly performed. Next on the scene is the Marschallin. The young lovers' rapturous duet ("Mit Ihren Augen voll Tränen") is soon interrupted by Valzacchi and Annina, who surprise them and call for Ochs. Octavian returns, in his own clothing, and the Marschallin tells him that sometimes she gets up in the night and stops all the clocks so as to hold time in its place. Hofmannsthal's libretto is a combination of different forms of the German language.

A tenor sent by the Portuguese The Marschallin, now alone, ponders her waning youth and the unhappiness of her forced marriage, perceiving the same in store for Sophie Faninal ("Da geht er hin..."). Der Rosenkavalier is a three-act comic opera by Richard Strauss that premiered on January 26, 1911, at the Konigliches Opernhaus in Dresden.

The next day, Herr von Faninal exultantly and Sophie nervously await the arrival of the Rosenkavalier ("Ein ernster Tag, ein grosser Tag!"). The Marschallin, Sophie, and Octavian are left alone, and Octavian does not know what to do. When Ochs tries to force the issue, Octavian angrily draws his sword.

Your preference has been recorded Meanwhile, a number of visitors arrive in succession, demanding the Marschallin’s attention. The Baron calls for the police; to his unpleasant surprise, the vice squad treats "Mariandel" now offers to make a statement in private, and retires behind a screen with the Police Inspector. Following tradition, Faninal departs before the Knight appears, saying that he will return with the bridegroom.

She tells Octavian to hide behind the screen and find some clothes. The Baron is newly engaged to Sophie Faninal ("Selbstverständlich empfängt mich Ihro Gnaden"), the daughter of a wealthy merchant, though this does not keep him from making lewd comments at the disguised Octavian. “Mariandel” hides and changes clothes and then returns as Count Rofrano. Members of the nobility speak in very refined language, often archaic (set to the time of the opera) and very courteous. Octavian challenges the Baron to a duel. For instance, the conversations between Octavian and the Marschallin in the first act use the familiar "you" but switch back and forth between more formal speech (Sie) and the familiar du, as well as the intermediate (and now obsolete) Er. Hofmannsthal had written the play upon which Strauss based Elektra, but Der Rosenkavalier was their first close collaboration. She declares that he will one day leave her for a younger woman, and he leaves in great distress. Ochs’s mood is not improved by the arrival of Sophie and her father, who express shock. Our editors will review what you’ve submitted and determine whether to revise the article.Hofmannsthal had written the play upon which Strauss based In the Marschallin’s bedroom she and her young lover, Octavian, are awakening from a rapturous night. When he sees that the Marschallin is out of sorts, he assumes it is from her earlier fear that he might have been discovered. History at your fingertips

Ochs has come to ask two favors: he wants to borrow his cousin's A busy reception scene ensues as the room fills with vendors and supplicants to the Marschallin ("Drei arme adelige Waisen"), who ignores the former and aids the latter. Three noble orphans, domestics, petitioners, officials, vendors His excessive confidence alienates Sophie, who declares that she will not have him. On a small sofa on the left is a … Sophie and Octavian follow after another brief but ecstatic love duet ("Ist ein Traum" / "Spür' nur dich"). The opera takes place in 1740s' Vienna, early in Maria Therese's reign. Next to the bed is a three-piece Chinese screen behind the clothes.

If asked to choose an opera in the category of “most satisfying,” I would choose Richard Strauss’s brilliant Der Rosenkavalier (The Knight of the Rose, 1911). She then withdraws, with a promise to Sophie that she will offer Faninal a face-saving ride home in her carriage.